Transnational Chinese Cinemas

Transnational Chinese Cinemas by Sheldon H. Lu. Download it Transnational Chinese Cinemas books also available in PDF, EPUB, and Mobi Format for read it on your Kindle device, PC, phones or tablets. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation.. Click Get Books for free books.

Transnational Chinese Cinemas

Transnational Chinese Cinemas
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 9780824818456
Size: 65.12 MB
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Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Transnational Chinese Cinemas
Language: en
Pages: 428
Authors: Sheldon H. Lu
Categories: Performing Arts
Type: BOOK - Published: 1997-10-01 - Publisher: University of Hawaii Press
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length
Rethinking Transnational Chinese Cinemas
Language: en
Pages: 172
Authors: Jeremy E. Taylor
Categories: Social Science
Type: BOOK - Published: 2020-11-26 - Publisher: Routledge
The Amoy-dialect film industry emerged in the 1950s, producing cheap, b-grade films in Hong Kong for direct export to the theatres of Manila Chinatown, southern Taiwan and Singapore. Films made in Amoy dialect - a dialect of Chinese - reflected a particular period in the history of the Chinese diaspora,
The Early Transnational Chinese Cinema Industry
Language: en
Pages: 142
Authors: Yongchun Fu
Categories: Social Science
Type: BOOK - Published: 2019-03-04 - Publisher: Routledge
Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in China. It examines the Chinese industry’s response to the American industry and the consequences
Sinascape
Language: en
Pages: 175
Authors: Gary G. Xu
Categories: Performing Arts
Type: BOOK - Published: 2007 - Publisher: Rowman & Littlefield
Fast Facts at Your Fingertips! REA's Quick Access Study Charts contain all the information students, teachers, and professionals need in one handy reference. They provide quick, easy access to important facts. The charts contain commonly used mathematical formulas, historical facts, language conjugations, vocabulary and more! Great for exams, classroom reference,
Chinese National Cinema
Language: en
Pages: 328
Authors: Yingjin Zhang
Categories: Performing Arts
Type: BOOK - Published: 2004 - Publisher: Psychology Press
This introduction to Chinese cinema covers the 'three Chinas': mainland China, Taiwan & Hong Kong. It traces the formation, negotiation & problematization of the issue of national identity on the screen over 90 years.
Art, Politics, and Commerce in Chinese Cinema
Language: en
Pages: 308
Authors: Ying Zhu, Stanley Rosen
Categories: Social Science
Type: BOOK - Published: 2010-06-01 - Publisher: Hong Kong University Press
"Ying Zhu and Stanley Rosen have brought together some of the leading scholars and critics of Chinese cinema to rethink the political mutations, market manifestations, and artistic innovations that have punctuated a century of Chinese screen memories. From animation to documentary, history of the industry to cinematic attempts to recreate
Journal of Chinese Cinemas
Language: en
Pages:
Authors: Ying Zhu, Stanley Rosen
Categories: Motion pictures
Type: BOOK - Published: 2007 - Publisher:
Books about Journal of Chinese Cinemas
From Tian'anmen to Times Square
Language: en
Pages: 302
Authors: Gina Marchetti
Categories: Performing Arts
Type: BOOK - Published: 2006 - Publisher: Temple University Press
Global perceptions of China have changed dramatically since the massive student protests that took place in Tian'anmen Square in April 1989. The media spotlight trained on Beijing, and the international uproar over the events of that spring still shape the world's perceptions of the People's Republic and the ways that
The Cinema of Ang Lee
Language: en
Pages: 272
Authors: Whitney Crothers Dilley
Categories: Performing Arts
Type: BOOK - Published: 2014-12-23 - Publisher: Columbia University Press
Born in Taiwan, Ang Lee is one of cinema's most versatile and daring directors. His ability to cut across cultural, national, and sexual boundaries has given him recognition in all corners of the world, the ability to work with complete artistic freedom whether inside or outside of Hollywood, and two
China's iGeneration
Language: en
Pages: 368
Authors: Matthew D. Johnson, Keith B. Wagner, Kiki Tianqi Yu, Luke Vulpiani
Categories: Performing Arts
Type: BOOK - Published: 2014-05-29 - Publisher: Bloomsbury Publishing USA
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the