Author: Frank Lentricchia
Publisher: University of Chicago Press
ISBN: 022622905X
Size: 16.71 MB
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This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one. Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.
Language: en
Pages: 398
Pages: 398
This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In
Language: en
Pages: 195
Pages: 195
This volume covers a variety of authors and topics related to the New Criticism school of the 1920s–1950s in America. Contributors trace the history of the New Criticism as a movement, consider theoretical and practical aspects of various proponents, and assess the record of subsequent engagement with its tenets. The
Language: en
Pages: 332
Pages: 332
Marked by a rigorously close textual reading, detached from biographical or other extratextual material, New Criticism was the dominant literary theory of the mid-twentieth century. Praising It New is the first anthology of New Criticism to be printed in fifty years. It is the perfect introduction for students to the
Language: en
Pages: 331
Pages: 331
From the New Criticism to Deconstruction traces the transitions in American critical theory and practice from the 1950s to the 1980s. It focuses on the influence of French structuralism and post-structuralism on American deconstruction within a wide-ranging context that includes literary criticism, philosophy, psychology, technology, and politics.
Language: en
Pages: 217
Pages: 217
Mark Jancovich examines the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy.
Language: en
Pages: 432
Pages: 432
Books about The New Criticism and Contemporary Literary Theory
Language: en
Pages: 90
Pages: 90
Language: en
Pages: 565
Pages: 565
A comprehensive overview of the modern critical tradition in the early twentieth century, first published in 2000.
Language: en
Pages: 255
Pages: 255
Aesthetics as ethics : one and a half theses on the New Criticism / Robert Archambeau -- Eliot, the Agrarians, and the political subtext of New Critical formalism / Alastair Morrison -- Androgyny and social upheaval : the gendered pretext of John Crowe Ransom's New Critical approach / Aaron Shaheen
Language: en
Pages: 238
Pages: 238