Author: Brendan C. Gillott
Publisher: Bloomsbury Publishing USA
ISBN: 1501363808
Size: 32.87 MB
Format: PDF, ePub
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How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form's exemplars the highly influential but critically contentious poetries of John Cage and Charles Olson, this book considers indeterminacy – the fundamental feature of the long poem – by way of its analogues in musicology, mycology, cybernetics and philosophy. It addresses features of these works that figure broadly in the long poem tradition, such as listing, typography, archives, mediation and mereology, while articulating how both poets broke with the longform poetic traditions of the early 1900s. Brendan C. Gillott argues for Cage's and Olson's centrality to these traditions – in developing, critiquing and innovating on the longform poetics of the past, their work revolutionized the longform poetry of the 20th and 21st centuries.
Language: en
Pages: 240
Pages: 240
How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form's exemplars the highly influential but critically contentious poetries of John Cage and Charles Olson, this book considers indeterminacy – the fundamental feature of the long poem – by way of its analogues in musicology, mycology,
Language: en
Pages: 208
Pages: 208
The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found expression in the form of the modernist long poem. Beginning with T.S. Eliot's The Waste Land, Oliver Tearle reads that most famous example of the genre
Language: en
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Language: en
Pages: 224
Pages: 224
Explores how modernist national narrative successively reimagined the evolutionary epic from the 1910s to the 1930s.
Language: en
Pages: 260
Pages: 260
Language: en
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Books about Canadian Review of Comparative Literature
Language: en
Pages: 176
Pages: 176
Language: en
Pages: 233
Pages: 233
Language: en
Pages: 560
Pages: 560
Books about Embodying the Ideogram Orientalism and the Visual Aesthetic in Modernist Poetry