Author: Dominique Nasta
Publisher: Columbia University Press
ISBN: 023116744X
Size: 11.27 MB
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Over the last decade, audiences worldwide have become familiar with highly acclaimed films from the Romanian New Wave such as 4 Months, 3 Weeks and 2 Days (2007), The Death of Mr. Lazarescu (2005), and 12:08 East of Bucharest (2006). However, the hundred or so years of Romanian cinema leading to these accomplishments have been largely overlooked. This book is the first to provide in-depth analyses of essential works ranging from the silent period to contemporary productions. In addition to relevant information on historical and cultural factors influencing contemporary Romanian cinema, this volume covers the careers of daring filmmakers who approached various genres despite fifty years of Communist censorship. An important chapter is dedicated to Lucian Pintilie, whose seminal work, Reconstruction (1969), strongly inspired Romania's 21st-century innovative output. The book's second half closely examines both the 'minimalist' trend (Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, Radu Muntean) and the younger, but no less inspired, directors who have chosen to go beyond the 1989 revolution paradigm by dealing with the complexities of contemporary Romania.
Language: en
Pages: 256
Pages: 256
Over the last decade, audiences worldwide have become familiar with highly acclaimed films from the Romanian New Wave such as 4 Months, 3 Weeks and 2 Days (2007), The Death of Mr. Lazarescu (2005), and 12:08 East of Bucharest (2006). However, the hundred or so years of Romanian cinema leading
Language: en
Pages: 260
Pages: 260
Books about The Specificity of the Aesthetics of Slowness in Contemporary Romanian Cinema
Language: en
Pages: 207
Pages: 207
This book examines the structuring of space in Romanian and Hungarian cinema, and particularly how space is used to express the deep imprint of a socialist past on a post-socialist present. It considers this legacy of the Eastern European socialist regimes by interrogating the suffocating, tyrannical and enclosing structures that
Language: en
Pages: 248
Pages: 248
Modern Romanian filmmaking has received wide international recognition. In only a decade (2001 to 2011), a group of promising young filmmakers have been embraced as important members of European cinema. The country developed a new fervor for filmmaking and a dozen new movies have received international awards and recognition from
Language: en
Pages: 218
Pages: 218
Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler and other such iconic figures emerged as heroes rather than loathsome bloodsuckers, celebrating a shared sense of belonging. The past decade has, however, presented Romanian films in
Language: en
Pages: 367
Pages: 367
More than 20 years of rapid political, economic, social, and cultural change have turned Southeast Europe into a laboratory of transformative processes - processes that have deeply affected the structures of everyday life and that have resulted in a variety of (post-)modern life styles. The contributions by native and foreign
Language: en
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Language: en
Pages: 116
Pages: 116
Language: ru
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Language: en
Pages: 291
Pages: 291
Another in the 24 Frames series, each of these twenty-four essays discusses an individual film from the Balkan region (Bulgaria, Greece, Romania, Albania, and the former Yugoslavia-Serbia, Macedonia, Bosnia, Montenegro, Croatia, and Slovenia). These films represent the rich and diverse culture of the Balkans and reveal the stylistic and thematic