Author: Andrew Kipnis
Publisher: Palgrave Macmillan
ISBN: 1137268956
Size: 15.22 MB
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Rapid industrialization, urbanization, and marketization have led to startling social changes in reform-era China. Mindful of the many forms of social theory that relate modernity to individualism, this volume addresses social and cultural change through the lens of psychological anthropology. The contributors explore Chinese modernity through the psychosocial contradictions experienced by artists, dancers, and poets; by mothers and daughters; by school children and migrant workers; the mentally ill, and others. As a whole, the book provides a disturbing but hopeful portrait of Chinese society, an opportunity to rethink the significance of the concept of modernity, and a vivid reminder of the enmeshment of individual psyches in their wider social and cultural environments.
Language: un
Pages: 236
Pages: 236
Rapid industrialization, urbanization, and marketization have led to startling social changes in reform-era China. Mindful of the many forms of social theory that relate modernity to individualism, this volume addresses social and cultural change through the lens of psychological anthropology. The contributors explore Chinese modernity through the psychosocial contradictions experienced
Language: en
Pages: 220
Pages: 220
Many of the millions of workers streaming in from rural China to jobs at urban factories soon find themselves in new kinds of poverty and oppression. Yet, their individual experiences are far more nuanced than popular narratives might suggest. Rural Origins, City Lives probes long-held assumptions about migrant workers in
Language: en
Pages: 494
Pages: 494
The Routledge Handbook of Chinese Culture and Society is an interdisciplinary resource that offers a comprehensive overview of contemporary Chinese social and cultural issues in the twenty-first century. Bringing together experts in their respective fields, this cutting-edge survey of the significant phenomena and directions in China today covers a range
Language: en
Pages: 1128
Pages: 1128
This book examines the transformation of values in China since 1850, first in the “secular” realms of economics, science, medicine, aesthetics, media and gender, and then in each of the major religions (Confucianism, Buddhism, Daoism, Christianity) and in Marxist discourse.
Language: en
Pages:
Pages:
Language: en
Pages: 264
Pages: 264
This is an interdisciplinary study of Chinese modernity in the context of globalisation from the late 19th century onwards. The text draws on Chinese literature, film, art, photography, and video to map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms.
Language: en
Pages: 312
Pages: 312
Although Freud makes only occasional, brief references to China and Chinese culture in his works, for almost a hundred years many leading Chinese intellectuals have studied and appropriated various Freudian theories. However, whilst some features of Freud’s views have been warmly embraced from the start and appreciated for their various
Language: un
Pages: 170
Pages: 170
Over the past five hundred years, historians and other social scientists have perceived an extraordinary occurance: the transition from the Middle Ages, via the Renaissance, to modernity. Equally remarkable has been the transition taking place in the last fifty years from modernity to globalization, a period marked by increasing interdependency
Language: en
Pages: 208
Pages: 208
A feminist psychoanalytic account of changing conceptions of men and masculinity as seen in recent Chinese literature.
Language: en
Pages: 374
Pages: 374
This work is an introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study covers a broad cinematic analysis that includes investigations of cultural, cross-cultural, social, ethnic and political issues.